![]() ![]() ![]() The songs in the second half are forced and are a misfit. Under Selva Ganesh’s music Vizhigalile is mellifluous which appears in the 1st half. Most of the sequences have a ‘drama’ like feel about them especially Vishnu’s family members. There are also other members from Venilla Kabbadi Kuzhu who fail to make a mark. Remya Nambeesan looks every bit like the typical middle class girl and is quite affable. Vishnu as the unemployed youth, dependent on his dad and brother tries to deliver the goods but his best is yet to come. Unfortunately, there is no zing in their love and the duo appears very casual about the whole thing. Selvaganesh’s ‘Vizhigalile Vizhigalile’ number enhances the mood. The romance that blossoms between the lead pair and the premise of it appears interesting. The connection of the audience with the characters does not happen and the amateurish performance of most of the artists further adds up to this factor. KNK very slowly unravels, takes various detours in its path, the scenes and dialogues get boring (especially in the second half) and the concept flounders. ![]() The plot had the potential to be woven into an interesting tale, had only the director made an attempt to impart some airtight packaging in the content. Sri Balaji seems to have divided his film into two parts – the first half delving on romance and the second half on a pursuit of the hero’s mission. This sets off the story of Kulla Nari Kootam. Priya’s dad a military man wants his son-in-law only from military or from police force and Vetri’s dad is completely against his son donning the Khaki. Vetri’s dad is completely against police force and this has even prevented the eldest son from applying for passport as it would warrant police officials visiting his place for verification.Ī small error in the cell number for recharging, activates the meeting of Priya (Remya Nambeesan) and Vetri which turns into romance. It is about Vetri (Vishnu), an MBA, who is fondly called by his brother as Vetti as he is waiting for the right kind of job. The theme of Kulla Nari Kootam is not fresh or novel as it is about a hero trying to win his love interest. In the second half, when there is a justification of the title made in the way of a dialogue with serious connotation, it only evokes laughter from the audience for its silliness. This fact and the promos have colored the film as something that is to be expected on the lines of a light entertainer revolving around romance.Īlthough the title of the film could suggest a cunning, intelligent and at the same time comical plot of someone involved in love for its successful fruition, KNK’s epicenter does not appear to be this. Almost the entire team of Vennila Kabbadi Kuzhu is back sans a few faces in Kulla Nari Kootam which also happens to be the debut directorial venture of Sri Balaji an erstwhile assistant of Suseendiran. ![]()
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